#PRO TOOLS HD PRO#

Optical OUT: Supports ADAT, SMUX & S/PDIF S/PDIF Coax IN: 2 channels, up to 192 kHz on 1 RCA connectorĭynamic range: 124 dB (A) of dynamic rangeįrequency response at 44.1kHz: 1-20,000 Hz (+/- 0.05dB)Īnalog OUT: 6 balanced outputs on 1 DSUB 25-pin connectorĪES OUT: Stereo output on 1 male XLR connector S/PDIF: 2 channels, up to 96 kHz on 1 Toslink connector SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector Lucas Van Der Mee, Apogee’s Senior Hardware EngineerĪnalog IN: 2 balanced inputs on 2 female XLR connectorsĪES IN: Stereo input on 1 female XLR connectorĪDAT: 8 channels 44.1-48 kHz on 1 Toslink connector The new 2×6 card will outperform pretty much anything in the market…at any price” My goal is to improve the overall design of the circuit and achieve greater real-world performance than what the component manufacturer claims on the data sheet. “These are real measurements, taken with our lab test equipment and not what I call ‘data sheet’ specs.

We dare you to compare these specifications to our competitors – 2×6 SE’s combined specs outperform just about any AD/DA converter available today. Designed specifically for mastering engineers whose critical work demands ultimate sonic performance, 2×6 SE takes advantage of the latest advancements in digital and analog audio technology to offer inputs with 124 dB (A) of dynamic range, THD+N of -116dB and outputs with 131dB (A) dynamic range and an astonishingly low THD+N of -118dB. PSU operates on 100-240V, EU power cord included.2×6 Special Edition offers the highest quality AD/DA conversion of the Symphony series.

#PRO TOOLS HD PRO#

Simultaneous use of multiple Pro Tools|HD® audio interfaces to further expand system in-put and output.Įxcellent working condition, good visual condition.Optional addition of cards to expand analog or digital I/O.Legacy Port for Digidesign-qualified Pro Tools|24 MIXTM audio interfaces.External Clock input and output for synchro- nizing 192 I/O with external 1x Word Clock or 256x (Slave Clock) devices.We will continue to provide support for HD OMNI through get more details here. Real-time sample rate conversion on inputs of eight channels of either AES/EBU, Optical, or TDIF. If you are interested in a similar interface, see Pro Tools MTRX Studio, a compact studio centerpiece that provides powerful I/O, monitoring, routing, and Dolby Atmos mixing capabilities all in one audio interface.Two 24-bit-capable S/PDIF I/O supporting sample rates of up to 96 kHz.

Sixteen channels of Optical I/O, through two pairs of Lightpipe (ADAT) connectors one pair of optical ports can be switched to two channels of optical S/PDIF I/O.

Two-channel AES/EBU I/O supports sample rates of up to 96 kHz. Eight-channel AES/EBU I/O supports sample rates of up to 96 kHz on all chan- nels, and up to 192 kHz on four channels simultaneously.

Ten channels of 24-bit-supported AES/EBU I/O.

Eight channels of 24-bit D/A and A/D con- verters for superior analog input and out- put at sample rates of 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, and 192 kHz.

16 discrete channels of input and output, with 4-segment LED Meters to monitor input and output on each channel.

Digital I/O card with Aes/Ebu, Tdif and ADAT connectivity. Pro Tools HD Native Thunderbolt uses the processing power of modern Macs or PCs to deliver clean sound processing and superior performance with the lowest. A flagship converter only a decade ago, nowadays, 192 I/O is very affordable, while still offering amazing conversion quality up to 192 kHz in 24 bit. It promised many of the benefits of PTHD. Format_quote Avid/Digidesign 192 I/O is a classic Pro Tools HD interface. So, when Avid announced Pro ToolsHD Native, based on a single PCIe Core card, I was eager to try it out.

Pro tools hd